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Kingdom Under Fire: A War of Heroes

Kingdom Under Fire: A War of Heroes (2001)

by Phantagram, Gathering of Developers

Genres:Role-playing (RPG), Adventure, Strategy

Themes:Action, Fantasy

Game modes:Single player, Multiplayer

Story:Kingdom Under Fire included single-player and multiplayer online modes through Phantagram's "Wargate" server. The game is the first release in the Kingdom Under Fire series which later received critical acclaim through the Xbox release Kingdom Under Fire: The Crusaders, a game which, like others in the series, incorporated both role-playing and real-time strategy elements. A "Gold Patch" was released for Kingdom Under Fire which introduced a map editor, extra missions, and in-game save option; the version was also re-released as Kingdom Under Fire Gold. Two factions, light and dark, are playable in the game, with each side having units fulfilling the typical roles of warrior, archer, flying unit and wizards – as well as more powerful individual hero characters. The campaigns are split into 13 missions of which 10 are battles and the other three being a dungeon crawl for a hero character. Skirmish and multiplayer modes were also supported, with online games with human opponents organized via the Wargate.Net server.Show more

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Among UsPlay with 4-15 player online or via local WiFi as you attempt to prepare your spaceship for departure, but beware as one or more random players among the Crew are Impostors bent on killing everyone! Originally created as a party game, we recommend playing with friends at a LAN party or online using voice chat. Enjoy cross-platform play between Android, iOS, PC, and console.

FreelancerEight hundred years prior to the start of our story, bitter conflict divided all of mankind. A handful of colonists struck out on their own to begin anew - far away from the Earth and its turmoil. Several ships were launched with enough equipment and supplies to give the hundreds onboard a fighting chance - but since the area around far-off Sirius had never been surveyed, no one really knew what to expect. What they found was a new frontier of free-flowing natural resources, unexplored territories, great wonders and lurking dangers. Each ship, representing the clusters of people and their earthly place of origin, settled into different parts of the galaxy pre-selected by their ship-board computer to give them the best chance of survival. Life was hard in the beginning, but over the 800 years the different colonies prospered and expanded their territories, claiming more and more systems for their own. Survival and propagation eventually led to growth and profit as each of the colonies developed specialties and fostered commerce. As the colonies grew and time passed their connections with their roots on Earth dwindled and they lost their memories of the conflicts of the past. Soon their attention was dominated by new, more immediate conflicts. Feelings of lost ancestral connection spurred anachronism in the look of the great cities, and created a somewhat distorted image of each colony's cultural heritage. In the ever-expanding outer edge of the territories, frontier lawlessness prevailed. The Houses: Each shipboard colony that left Earth carried some memory of its origins in its name. The Liberty carried Americans, The Bretonia flew from The United Kingdom and surrounding territory, The Kusari from Asia, and the Rheinland launched with Germanic cargo. As each ship settled and colonies began to expand, they knew little about each other and their advancing development. Finally, little by little, the individual colonies found each other and began to set up trade routes to link their systems for commerce and solidarity. Today, with each colony firmly rooted in its respective corner of the galaxy, the colonies rely heavily on each other for trade and industry but also compete for resources and new territories in the Border Worlds. The colonies mandate member governments in "The New Alliance" within the Sirius sector. To control conflicts, each colony has forged alliances and treaties with others as they have grown. Competition remains fierce, however. Struggles rage for supremacy in business, commerce, resources, power and control. There can be tenuous peace between colonies' political agendas, but the grabs for holdings constantly unsettle the volatile frontier.

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TrespasserTrespasser is a PC game released in 1998. Set one year after the events of the 1997 film The Lost World: Jurassic Park and published alongside the film's home video release. The player assumes the role of Anne, the sole survivor of a plane crash on InGen's Jurassic Park "Site B" on Isla Nublar. With a fractured arm and no equipment to speak of, Anne must escape the remote island by solving puzzles and evading dangerous dinosaurs.

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TresspasserTrespasser is an action-adventure first-person-shooter video game released in 1998 that was billed as a "digital sequel" to the 1997 film "The Lost World: Jurassic Park". The player assumes the role of Anne, who is the sole survivor of a plane crash on InGen's "Site B" one year after the events of The Lost World. With only a single arm and limited weapons, Anne must escape the remote island by solving puzzles and evading the dangerous dinosaurs. The game is noted for the involvement of the film's director, Steven Spielberg, and actors Richard Attenborough and Minnie Driver. Trespasser's game engine was also very advanced for its time, showcasing large outdoor environments, real object physics, an advanced AI system, destructible objects, an advanced LOD (Level-of-Detail) system, and the first ever use of ragdoll physics and inverse kinematics for dynamically generated animations. The gameplay is very atmospheric with no visual HUD of any kind except for a heart-shaped tattoo on Anne's left breast to represent her health points and speaking out loud how much ammo is in each weapon. Tresspasser was one of the most highly anticipated games of the 1990's. Unfortunately, problems arose as soon as development started. The development team was newly formed with inexperienced management and artists who were unfamiliar with basic game development processes and 3D modeling. After a very welcoming and positive reception from early demos and concept art from E3 1996 and PCGamer, the team got overconfident about their skills and started putting in one of the worst forms of Feature Creep imaginable. The game was being delayed and going overbudget as new and never-before-seen experimental features were added or changed with an immobile release date set into the Fall of 1998. While the game was originally conceived as a Survival Horror title, it was turned into an Action-Adventure as the dinosaurs were incapable of doing advanced AI tactics or going near structures without getting stuck on building geometry. The dinosaur models themselves would cause severe slowdown for the PC due to the attached physics boxes to every raptor, along with the blood particle effects. (Recommended specs for Tresspasser at the time called for a 166 MHz Pentium II.) The models would constantly warp, twist, and compress in broken ways due to the animations and physics boxes attached them, making almost every creature stumble around in an incredibly drunken manner. The AI also had an advanced mood and emotion system for each of the dinosaurs where they could potentially hunt Anne or other dinosaurs depending on their mood. It was the earliest time a 3D game tried to create a living world using AI and emergent gameplay. Due to a bug where the AI switched so quickly in the extremes, it caused the dinosaurs to stop moving or responding altogether. A hard-coded fix was put in place where the aggression and hunger levels were set to maximum while all other moods and emotions were set to zero, turning almost all the creatures into mindless hunters. Due to an oversight, only very few raptors in the game (mostly in the Industrial Jungle level) had this emotion system still turned on. The raptors would go up to Anne to follow and sniff her curiously, until they were injured in some way. Tresspasser also conceived a "very immersive" arm system where players could interact with the world through their mouse and keyboard to inspect and look at objects close up. Anne only has a right arm to interact with the world that's capable of being manually turned in 360 degree movements that are impossible to do in real life. While it can pick up and hold objects, Anne be constantly dropping objects she's holding in her hand when bumping into structures, invisible boundaries, and dinosaurs. A left arm was scraped due to time and technical issues. Other similarly weird visual bugs, severe slowdowns, and crashes are a constant feature. Tresspasser had to be pushed out in a very unfinished and unpolished state with a lot of features, content, and several levels cut\merged. Some of which are still found within the game's files. It ultimately received mixed to negative reviews at the time and disappointed many reviewers, with some declaring Tresspasser as "the worst game of 1998". It ultimately sold somewhat over 50,000 copies with the CD-ROM being very rare today. Even with the negative reception, Tresspasser still has an active cult following to this day with various fixes, mods, and several potential remakes on modern engines. The game was the main inspiration of Valve's Half-Life series and many of Tresspasser's other ideas would later realized in other future games.

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